Almost Home: Poems by Madisen Kuhn, Orion Carloto

• Almost Home: Poems
• Madisen Kuhn, Orion Carloto
• Page: 224
• Format: pdf, ePub, mobi, fb2
• ISBN: 9781982121266
• Publisher: Gallery Books

Almost Home: Poems

Bestseller ebooks free download Almost Home: Poems

From the Instagram poet and author of the exquisite Please Don’t Go Before I Get Better comes a gorgeous poetry and prose collection that explores the meaning of “home” and the profound discovery of finding it within oneself—perfect for fans of Rupi Kaur and Amanda Lovelace. In this stunning third collection from Madisen Kuhn, Madisen eloquently analyzes some of life’s universal themes within the framework of a house. Whether it’s the garden, the bedroom, or the front porch, Madisen takes you into her own “home,” sharing some of the most intimate parts of her life so that you might also, someday, feel free to share some of yours. Filled with beautiful hand-drawn illustrations from Melody Hansen, this boldly intimate, preternaturally wise, and emotionally candid collection encourages you to consider what home means to you—whether it’s in the lush, green-lawned suburbs or a city apartment—and, more importantly, explores how you can find it even when home feels like it’s on the far-off horizon.

madisen kuhn (@madisenkuhn) | Twitter
my third (and favorite) book of poetry, almost home, will be out on october 1st! Sometimes I start poems in a half-asleep daze and come back to them later and  Amazon.com New Releases: The best-selling new & future releases
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From the Instagram poet and author of the exquisite Please Don't Go Before I Get Better comes a gorgeous poetry and prose collection that explores the  Summer's Almost Gone by William Trowbridge | Poetry Foundation
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Almost home. He told me, through the wind in his teeth and the taste of smoke beneath his tongue: your breath, is the sound of coming home. I let the chill of  Nights On The Peninsula by D. Nurkse - Poems | poets.org
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Praying Women: How to Pray When You Don't Know What to Say. Sheila Walsh

Praying-Women-How-to-Pray-When.pdf
ISBN: 9780801078026 | 208 pages | 6 Mb

• Praying Women: How to Pray When You Don't Know What to Say
• Sheila Walsh
• Page: 208
• Format: pdf, ePub, fb2, mobi
• ISBN: 9780801078026
• Publisher: Baker Publishing Group

Download Praying Women: How to Pray When You Don't Know What to Say

Ebook for theory of computation free download Praying Women: How to Pray When You Don't Know What to Say 9780801078026 by Sheila Walsh (English literature)

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Many Love: A Memoir of Polyamory and Finding Love(s) by Sophie Lucido Johnson

• Many Love: A Memoir of Polyamory and Finding Love(s)
• Sophie Lucido Johnson
• Page: 272
• Format: pdf, ePub, mobi, fb2
• ISBN: 9781501189784
• Publisher: Touchstone

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Overview

Many Love: A Memoir of Polyamory and Finding Love(s) by Sophie Lucido Johnson Sophie Lucido Johnson gets a lot of questions when she tells people that she’s polyamorous. Many Love is an intimate look at this often misunderstood practice: its history, its misconceptions, and Sophie’s personal transformation from serial monogamist to proud polyamorist. After trying for years to emulate her boomer parents’ forty-year and still-going-strong marriage, Sophie realized that maybe the love she was looking for was down a road less traveled. In this bold, graphic memoir, she explores her sexuality, her values, and the versions of love our society accepts and practices. Along the way, she shares what it’s like to play on Tinder side-by-side with your boyfriend, encounter—and surmount—many types of jealousy, learn the power of female friendship, and other amazing things that happened when she stopped looking for “the one.” In a lot of ways, Many Love is Sophie’s love letter to everyone she has ever cared for. Witty, insightful, and complete with illustrations, this debut provides a memorable glimpse into an unconventional life.

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War and Peace (Pevear/Volokhonsky Translation). Leo Tolstoy

War-and-Peace-Pevear-Volokhonsky.pdf
ISBN: 9781400079988 | 1296 pages | 22 Mb

• War and Peace (Pevear/Volokhonsky Translation)
• Leo Tolstoy
• Page: 1296
• Format: pdf, ePub, fb2, mobi
• ISBN: 9781400079988
• Publisher: Knopf Doubleday Publishing Group

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Read books online free without download War and Peace (Pevear/Volokhonsky Translation) FB2 (English Edition) by Leo Tolstoy 9781400079988

Overview

From the award-winning translators of Anna Karenina and The Brothers Karamazov comes this magnificent new translation of Tolstoy's masterwork. War and Peace broadly focuses on Napoleon’s invasion of Russia in 1812 and follows three of the most well-known characters in literature: Pierre Bezukhov, the illegitimate son of a count who is fighting for his inheritance and yearning for spiritual fulfillment; Prince Andrei Bolkonsky, who leaves his family behind to fight in the war against Napoleon; and Natasha Rostov, the beautiful young daughter of a nobleman who intrigues both men. A s Napoleon’s army invades, Tolstoy brilliantly follows characters from diverse backgrounds—peasants and nobility, civilians and soldiers—as they struggle with the problems unique to their era, their history, and their culture. And as the novel progresses, these characters transcend their specificity, becoming some of the most moving—and human—figures in world literature. An essay on translating WAR AND PEACE by Richard Pevear To many prospective readers Tolstoy's War and Peace is the most intimidating of literary monuments. It is there, like a vast, unexplored continent, and all sorts of daunting rumors circulate about life in the interior. But once you cross the border, you discover that the world of War and Peace is more familiar and at the same time more surprising than the rumors suggested. That is as true for the translator as it is for the first-time reader. We spent three years working full-time on the translation, revising it, copy-editing it, proofreading it twice, meaning that each of us read the novel some five times in Russian and in English. Yet even in my final checking of the proofs, I still found myself delighting, laughing, or holding back my tears as I read. An example of this last is the moment near the end when Pierre and Natasha, after all the harrowing experiences they've lived through, finally meet again in Princess Marya's drawing room. Pierre sees that Princess Marya has someone with her, but doesn't realize who it is. Princess Marya is perplexed. She again shifted her gaze from Pierre's face to the face of the lady in the black dress and said: "Don't you recognize her?" Pierre glanced once more at the pale, fine face of the companion, with its dark eyes and strange mouth. Something dear, long forgotten, and more than sweet looked at him from those attentive eyes. "But no, it can't be," he thought. "This stern, thin, pale, aged face? It can't be her. It's only a reminiscence of that one." But just then Princess Marya said: "Natasha." And the face, with its attentive eyes, with difficulty, with effort, like a rusty door opening – smiled, and from that open door there suddenly breathed and poured out upon Pierre that long-forgotten happiness of which, especially now, he was not even thinking. It breathed out, enveloped, and swallowed him whole. When she smiled, there could no longer be any doubt: it was Natasha, and he loved her. What makes this passage so moving is not only the drama of the moment itself, but the way Tolstoy has sensed it and captured it in words. It can't be paraphrased; the translator has to follow as closely as possible the exact sequence and pacing of the words in order to catch the "musical" meaning of the original, which is less apparent than the "literal" meaning, but alone creates the impression Tolstoy intended. I've said "translator," and in a sense our collaboration is so close that the two of us make up one translator who has the luck to be a native speaker of two languages. That situation has its advantages. Translators are always in danger of drifting into the sort of language that is commonly referred to as "smooth," "natural," or, as they now say, "reader friendly," and is really only a tissue of ready-made phrases. When that happens to me, as it sometimes does, Larissa is there to stop me. Where I have my say is in judging the quality of our English text, that is, in drawing the line between a literal and a faithful rendering, which are not at all the same. If the translation does not finally "work" in English, it doesn't work at all. I'll take an example of what that collaboration can produce from Tolstoy's description of the Russian army crossing the river Enns. After a good deal of confusion, the hussar captain Denisov finally manages to clear the infantry from the bridge and send his cavalry over. As the first riders move onto the bridge, Tolstoy writes: "On the planks of the bridge the transparent sounds of hoofs rang out . . ." The Russian is unmistakable—prozrachnye zvuki "transparent sounds"—and I find its precision breathtaking. It is pure Tolstoy. To my knowledge, it has never been translated into English. What we find in other versions is the "thud" or "clang" of hoofs, and it is likely that I would have done something similar if Larissa had not brought me back to what Tolstoy actually wrote. His prose is full of such moments. Coming upon them and finding words for them in English has been one of the most rewarding aspects of our work. Here is a very different and rather amusing example of the search for fidelity. Count Ilya Andreich Rostov, Natasha's father, is giving a banquet in honor of General Bagration. Ordering the menu, he insists that "grebeshki" be put in the "tortue." I assumed that tortue was French turtle soup, but what about grebeshki? The Russian word can mean either "cock's-combs" or "scallops." Which would you put in a turtle soup? I did research into the uses of cock's-combs, but with rather unappealing results. I looked at previous translations: one has "scallops" and thinks the soup is a "pie crust"; another has "cock's-combs" but in a "pasty"; in a third the "cock's-combs" are in a "soup"; the fourth agrees about the soup, but puts "croutons" in it. Going by my own taste, I decided to put scallops in the turtle soup. This reading got as far as the first set of page proofs. Just then we met by chance (at a dinner in Paris) a woman who used to run a cooking school. We asked her which it should be. She, too, was puzzled. A few days later we received a long email from her. She had become so intrigued by our question that she went to the French National Library the next day and looked up the history of the culinary use of cock's-combs. She was happy to inform us that they came into fashion precisely around the time of the Napoleonic wars and were a key ingredient in turtle sauce. Suddenly the whole passage made sense, because the chef replies to the old count's order: "Three cold sauces, then?" The other translations have "three cold dishes" or "entrees," with no relation to sauces at all. Thanks to Mme. Meunier, we were able to make the correction in the second set of proofs. But does such a small thing really matter? Well, it certaintly did to Tolstoy. What this seemingly trivial detail reveals is the extraordinary accuracy of his memory, even in the smallest things. Cock's-combs had gone out of fashion by his time, but he knew where to place them and in what. Tolstoy's prose is a rich, fluid, multivoiced artistic medium. There is, for instance, a war between the French and Russian languages in War and Peace that mirrors the war between the French and Russian armies. His play with French and with gallicized Russian is a major element of social satire in the novel's composition, allowing him the sort of linguistic infiltrations later found in Joyce and Nabokov. This adds a verbal dimension to War and Peace that English readers don't suspect is there, because previous English translations have eliminated it. But this precocious modernism is never word play for its own sake. It is always moved by passion. The world of War and Peace envelops you. It is full of uncertainties, surprises, constantly shifting perspectives, but once you enter it you feel that you're in sure hands. Over it all is that "infinite sky" that Prince Andrei discovers as he lies wounded on the field of Austerlitz. This vast unity that embraces the greatest diversity is the secret, the mystery, of Tolstoy's art. It presents a great challenge to its translators, as I've tried to suggest in a small way.

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Les vertus de l'échec pan Charles Pépin

Caractéristiques

• Les vertus de l'échec
• Charles Pépin
• Nb. de pages: 189
• Format: Pdf, ePub, MOBI, FB2
• ISBN: 9782266285421
• Editeur: Pocket
• Date de parution: 2018

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Overview

Et si nous changions de regard sur nos échecs ? Les succès viennent rarement sans accroc. Charles de Gaulle, Rafael Nadal, Steve Jobs ou Barbara ont tous essuyé des revers cuisants avant de s'accomplir. Relisant leurs parcours et de nombreux autres à la lumière de Marc Aurèle, saint Paul, Nietzsche ou Freud, cet essai nous apprend à réussir nos échecs. Il nous montre comment chaque épreuve, parce qu'elle nous confronte au réel ou à notre désir profond, peut nous rendre plus lucide, plus combatif, plus vivant.
Un petit traité de sagesse qui nous met sur la voie d'une authentique réussite.

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